They Called Me a Lioness: Critiquing ‘freedom fighter’ Tamimi - review
The book resides comfortably in what could be called the faux-naïf mode of anti-Zionist rhetoric, with its saccharine portrayal of a humble and bucolic Palestinian society.
AHED TAMIMI enters an Israeli military courtroom at Ofer Prison, near Ramallah, in 2018. (photo credit: AMMAR AWAD/REUTERS)ByMICHAEL ANTMANUpdated:
